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https://d1y502jg6fpugt.cloudfront.net/17269/archive/files/98ffd88d9e943ab76a4694b1ad7d250a.pdf?Expires=1712793600&Signature=CiyxHTrlXo8ASsbU67kFDBbAFykAI9nTonQkc0CW94otuI6nbgUfMTJ9H7HnN%7EvOIqJixVA%7ElpGRVWkywF3ncBfmQDkATzVQ46s14iP7L6G%7EtkgNEJDzz1HoF3FKKPi2KHmG04J7nC7cVfegaf5LwS3LcXWhNLkWephw42m9JaOFF88OOum7B8HLzAhZCORF1BKQHj-RevVb7P1UMgghrHWkYBorDjLT7YVmMz8qUzuAvKg6ldd-W96y7C9tvWctg28WyGc--lP1At-Oe%7EExghRFYc2fPNUPZFLDgcZZuKDEysShoXPiNpRwm7gr3feb-uHvpTyzbeHlETaDWq4QgA__&Key-Pair-Id=K6UGZS9ZTDSZM
b60e8479a501767f3fb26b5907e03387
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Senior Showcase 2015
Description
An account of the resource
Oral and poster presentations from Senior Showcase held on April 23, 2015 at Ripon College.
Creator
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Ripon College
Publisher
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Ripon College Lane Library
Date
A point or period of time associated with an event in the lifecycle of the resource
April 23, 2015
Contributor
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Scholars Week
Format
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pdf
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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A Work in Progress: The Creative Process Behind "Householder" by Christian Krueger
Subject
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Studio Art
Creator
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Krueger, Christian Yvonne
Source
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Senior Showcase Oral presentation
Publisher
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Ripon College
Date
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April 23, 2015
Rights
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The author reserves all rights.
Format
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pdf
Identifier
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Majors: History, Studio Art
Minors: Spanish, Museum Studies
Oshkosh, Wisconsin
ART 500 Senior Studio Project
Description
An account of the resource
<em>Householder</em> plays on the absurd and the uncanny to elevate the work of the housewife. It lays bare the domestic toil that frequently goes unnoticed by pitting landscape and household familiarities against each other in search of agent and origin. In this juxtaposition, I seek a quiet and resolved beauty as fulfilling as homemaking. Traditional women's handicraft, such as needlework, exemplifies the constant effort put forth by the housewife. Together, these pieces stitch together a surreal living room wall dedicated to domesticity. -Artist's Statement.
Art
Cross-Stitch
Domesticity
Feminism
Furniture
Home
Landscape
oil
Painting
Women's Studies
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https://d1y502jg6fpugt.cloudfront.net/17269/archive/files/c1c5ba2fdca2bd786d626396f5fd92ad.pdf?Expires=1712793600&Signature=ZR%7EwYt4sg%7EBCWLK41a9lvUw-xuNuoVf8nrEpV461Qrun-myJu7lgiK5rHRLlL1NuqibxNxKdcTBFiSBvGvh%7E0e82S7bKCbFdIKtAzzGFExv3L-cseTGYGflG427CzlhyliXSsWTd7DuzXKpVN-aXTbtEpPYlHQDyR-PN%7E1GswqZroo9SYQxw0iKgLJK78qCxQy9jFwzXo4wkAt1ZNEsqbL75tFiAYeRyp17COop2AMTOWkG3CH4PueYJiz0kqdRsFcoa6PcszMA0Jb-s9bJzK30lsqLhDakMVIIsiqW3zk7xMAo6ACwCm41V9xjm-clXrKNMToHp9Kt7u7yJMr9FMQ__&Key-Pair-Id=K6UGZS9ZTDSZM
7cf8fab9d94b0ec3d6819fe2f0c4cff9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Senior Showcase 2016
Description
An account of the resource
Oral and poster presentations from Senior Showcase held on April 19, 2016 at Ripon College.
Publisher
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Ripon College Lane Library
Date
A point or period of time associated with an event in the lifecycle of the resource
April 2016
Contributor
An entity responsible for making contributions to the resource
Ripon College Seniors 2016
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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The Social Hell of William Blake: the Impact of the Industrial Revolution on Blake's Illustrations of Dante's Inferno by Myat Aung
Subject
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Art
Creator
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Aung, Myat
Source
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Senior Showcase Oral presentation
Publisher
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Ripon College
Date
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April 19, 2016
Rights
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The author reserves all rights.
Identifier
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Majors: Art History, Classical Studies
ART 570 - Senior Seminar in Art
Description
An account of the resource
In 1824 CE, William Blake was commissioned to illustrate the Divine Comedy of Dante Alighieri. Amongst 102 illustrations, Blake devoted two thirds to the Inferno. Within the scholarship on Blake, the prevailing analysis of his illustrations shows his treatment of religious imagery. Such treatment does not emphasize how Blake’s illustrations reflect the social changes in nineteenth-century London. I thus examine Blake’s Inferno and articulate how it conveys ideas not present in the original text. My research revolves around Dante’s allegory and how Blake would have interpreted the work in his day. When Blake started painting the Inferno, the Industrial Revolution had already begun. As London became highly urbanized, factories were built with the promise of better commodities. Concurrently, transportation, communication, and access to mechanized goods improved. Amidst advances in science and industry, London became a crowded, unsanitary place covered in smoke, where workers suffered from diseases and low wages due to coal burning and laissez-faire capitalism. Because over five hundred years separated Dante from Blake, I ask questions about how Dante’s text informed Blake’s thinking. What was Blake’s perspective on daily life in London? What type of imagery in Blake’s drawings deviated from the descriptions in the text? How did Blake approach the Inferno in the nineteenth century? To answer these questions, I identify four themes that Blake used in his illustrations to reimagine Dante’s Hell. I ultimately argue that William Blake’s illustrations of the Inferno are his social commentary on the status quo of London during the Industrial Revolution.
Format
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pdf
Art
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https://d1y502jg6fpugt.cloudfront.net/17269/archive/files/3121302e1645a1f54460bb378c2d4938.pdf?Expires=1712793600&Signature=VUiJ-Hf7m2xe%7ER-VMy27usveEACjj51cE8l0ms0DgRLi6TaFeJYyDRnrmW68%7Ejbse-7zB7TECInqSCseCBBhXXvT204XmuGOeLudNnFhSA08J79cn0307KjHnrZLov%7E%7E5jp9OBHa2ep0vF4-IvI-trbQrdYlxmJ8uykARJ4d8OzST8uSVvN4UEO-ztC-NgjTBWkpCJPvn2iBeEJeuQp4G0v8ODPpCMBPoQzkbpApTS2oCKiwg6MyeA3Niyk8ePscCxFnn3VNXZql448hS4avEbmejHNUYPqQ6-WqAzSnE%7Et-Q4LLUGhat0f7vp4m-y5ntpHw67%7ECtt05iJcl1PMkGg__&Key-Pair-Id=K6UGZS9ZTDSZM
b8ddf660e1d80afa0bc5c9ae74640dba
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Senior Showcase 2017
Description
An account of the resource
Oral and poster presentations from Senior Showcase held on April 18, 2017 at Ripon College.
Publisher
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Ripon College Lane Library
Contributor
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Ripon College Seniors 2017
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Subverting the Male Gaze: Empowering Women through Art by Ally Wilber
Subject
The topic of the resource
Art
Description
An account of the resource
This essay analyzes the harmful effects of the male gaze in art and advertising throughout history, and highlights contemporary feminist artists who seek to subvert this gaze and create artwork that is both empowering and uplifting for women, utilizing the typically sexualized female form.
Creator
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Alexandria Jean Wilber
Source
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Senior Showcase Oral presentation
Publisher
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Ripon College
Date
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April 18, 2017
Rights
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The author reserves all rights.
Format
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pdf
Identifier
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Majors: Studio Art, English
Navarino, Wisconsin
Art
Contemporary
Empowerment
Feminism
Lacan
Male Gaze
Mulvey
Sexualization
theory
women